Leap into the Waterfall
(Gatekeeper Press, 2026)
Different spiritual traditions throughout history speak of spirit incarnating into what becomes a human life. But what of the mind arriving? How it—like a spring flower—opens into awareness. How the awakening of the very first thought leads to the fascination of the mind itself moving like a river through each of our lives.
In Leap into the Waterfall, Richard Shaw explores these ideas through a luminous collection of poems that contemplate the unfolding of consciousness and our place within the natural world. From the reaches of geologic time and the vastness of the universe to the intimate details of everyday life, these poems move effortlessly between the cosmic and the familiar. Set in the open air and filled with wonder, Shaw’s poetry is a meditation on what it is to be alive in the world.
Meditative, lyrical, and quietly profound, Leap into the Waterfall invites readers to pause, reflect, and experience the world with renewed attentiveness.
The Orchard House
(Antrim House, 2019)
The Orchard House is a transcendent book replete with lyric poems not just regarding the human interface with nature but something infinitely more. Richard Shaw's poems are meditations that develop into mystical experience through keen observation. His vision is akin to W. S. Merwin's in his book of odes, Present Company; and his sensibilities viv à vis the natural world remind one of Theodore Enslin's or Mary Oliver's. The Orchard House is a book to savor; in it, Shaw creates an enduring image of the fortitude of our heart being similar to that of a lighthouse that contains "one enormous reflector / like the one we sometimes feel / at the back of the chest." The aesthetic ethos of The Orchard House might be best represented in the conclusion of the poem "August Stars," whose startling sidereal beauty is "an annunciation / electric / through twilit air." - Wally Swist, author of Huang Po and the Dimensions of Love and The Map of Eternity
What better abode for a nature poet than a house in the middle of an old apple orchard? As Emily Dickinson would put it, Richard Shaw has learned to "see--New Englandly--." The natural world of New England quickens within him in these quietly rhapsodic poems. His unpunctuated lines convey breathlessness, silences, and ecstasy. As for Dickinson and Robert Francis, those New England poets who are his forebears, solitude is his muse. He places his poems "in the chipped / upturned bowl // time spent alone / has fashioned me into." What a generous vessel is this poet, this book that contains fox skulls, Bach cello suites, scarlet tanagers, tiger lilies, Vermeer, black ice, katydids, rain, stars. - Donald Platt, author of Man Praying and Tornadoesque
